Archives for posts with tag: writing
The painting "The Wild Hunt of Odin" by Peter Nicolai Arbo (1831-1892)

Is it fair to credit so much of the terrible acts 
of great men to them alone?

Is the man at the fore a wolf so separate from the sheep
when the shared blood of a nation boils together?
Is he not merely the tallest drop in a fervent wave?
A conductor at best, more a lightning rod, 
a mouthpiece possessed by some roused all-father spirit 
that slumbers in the country’s hearts

We deserve the leaders we permit and institute
pretending to sacrifice ourselves at their altar
– purely performative – 
instead sacrificing them like sheep
once we quench our bloodthirsts
(our selves now absolved)

Until that dark spirit fills us again and another is chosen

An old topographical map of the Mexican Central Railway, taken from Wikipedia

Grooves embedded deep upon the contoured land
potent water ways of vital twists and turns
Each near-insignificant in form, evolving
but sprung forth necessary, flowing from function

Old channels run deepest
and though dry now, they bide their time
awaiting frenzied blood to pump, pump
To course, raging back into the zeitgeist

Clang clanging metalworks upon the flat land
straight lengths of steel, angles unnatural
Each piece an exacting cost of toil and ore, connecting by necessity 

Young minds young eyes, reckless ingenuity
bend matter to will as on an anvil
a frenzied thirst for fortune, they drink and drink
On command, the milk courses out from the teat

Soul Walk 02, a painting by Tzi Artistic

The stone, smooth. To look at. To touch. As though washed over by a thousand torrents, which it had been. Polished as though it had passed a thousand sculpting hands. In actuality though just one sculptor had lain hands upon the stone. A pearl, the likes of which had heretofore been rarely seen but oft spoken of. Even now the sculptor toiled away beside it, though the thing was discarded to his mind.

Well. He had been a sculptor once. In a sense he still was but what he shaped in this younger age had changed. As had how he shaped his new object and the tools he employed in its crafting.

He bristled as an accidental glance aside brought the smooth pearl to fresh attention. That response by now as automatic as it was cultivated. The stony pearl, that had been the object of eons of his attention, irritated him now. Once though it had been both his literal soul and the perfected fruits of its labour.

But in the age that followed his heart and mind became clear upon the fact that the shape of his soul was incongruous to the whole. An inert piece perfected far beyond its complementary parts. But there was no fashioning a like heart or mind, for such things were by-products only. No the only hope was to develop them in the process of crafting as he knew.

So he fostered imperfect impulses within himself now, so as to craft a lesser soul-form and in the doing craft a sharper heart and mind of a more approximate measure. And these impulses by design, namely: a reasonable impatience at the glacial ages that his craft took; a resentment and anger at the punitive nature of the way of things to his early attainment of a perfect form; a pre-emptive exiles, self-imposed and borne of feeling deserted by his kind; and an entitlement that such a master sculptor as he should ever be denied any fruits, even those not yet laboured towards.

He looked back now to his new incomplete soul-form: as yet a jagged dull knife, not reflective of the epochs spent upon it. They would not have his soul. Not the old or new. And he would have his bettered heart and mind one way or another.

In the throes of all his nurtured impure impulses, the once-sculptor angrily took into his hand the perfect smooth pearl. And as though it were a whetstone, he sharpened his new soul-form upon the old.

‘So what do you think comes next?’ I ask, ‘After all this?’

I pretend not to hear the nervousness in my own voice. My words jittery and spoken too fast, the pitch too high. Admitting I’m nervous would only make me more nervous. 

No, no I was only cold – and it really was cold. But there’s nothing to do about that but wait and play with the child. I move my little pawn across the checkered board. The game will distract me from the cold. And the child’s quiet stare.

‘Your turn.’ I say, just so he’s clear – and not for any other reason.

I look away while he contemplates his turn, but still I feel his eyes bore holes into me. 

The game wasn’t chess – I dont know how to play chess – or checkers, or anything I’ve played before. Yet somehow I knew how to play it, and so did he. Not to say I was any good at it, mind you. We must have played a thousand times already and I’d won no more than a handful. But what else is there to do in this plane of existence?

The boy moves his red butcher piece and immediately I realise my mistake. A glaring hole I’d created between my coal and vizier leaves my emperor piece in jeopardy. The result is a foregone conclusion and playing through only a matter of formality, but one the boy always insists on. Not in words of course, but it’s clear as day in his eyes. He never speaks. Cant speak? Has yet to. 

What if we stop playing? A cold chill runs down my back. ‘Another game?’ I say instead. Maybe I am nervous after all. Not of the boy, mind you – not that that was unreasonable – but of this inescapable place. This cold, un-remembering dark space, sat on this stone seat at this stone table, playing this game that my fingers know better than I know my own name or face.

One by one the boy picks all his reds up off the board and likewise I set all my ebony pieces aside.

I only recall returning to this table whichever way I run. I dont recall anything before these thousand games of ours. No memory of a life or loved ones. Only logic and feelings tell me there had been anything prior – that I hadnt just spawned in this darkness, born on my feet, cognisant.

‘Between every game, the pieces go back in the box’. The boy says, and at once I understand.

I see as the water ripples collide
the underlying maths

Bouncing off the quay’s edge, folding upon themselves
Reverberating waves, here they negate, there they summate

And this on every plane and axis, to and fro as much as left and right
On cue, perfect patterns form and deform instantly

A couple dip their toes in and this pocket universe takes immediate notice, takes it in and goes on as before

The moon tugs, and the weight of her beckoning is also noted
in that warped surface

I too am drawn in –
which way is up?
which is down?

Sure as my filling lungs, the answer to all great mysteries must lie in water

In another life, in another world
You’re my boy and I’m your girl
But here and now
She’s in my place somehow
And I’m just a ghost

In another life, things didnt end
You’re my boy, she’s still my friend
But here and now
You did what you did somehow
Now she’s just a ghost

In another life, in another world
You’re still my boy, I’m still your girl
But here and now
I buried your memory somehow
And you’re just a ghost

But here and now, in this haunted house
I’m chased by thoughts of you both
And you’ll forever roam these ruins of our home
Knowing what you did wrong, followed by this curse of a song
And none of us move on
And maybe we’re all just ghosts

The lone wanderer, last of the men
shrouded in blizzard and dust-storm alike
Lord of the ruins if he would but take pause

But madness compels him forth
in pursuit of one, his equal
in flight from another, the same
in constant chase but unable to close distance
like the three suns overhead

How many years since he had last been in this town?
He enters the council hall, opens the topmost drawer of the desk
where he knows he will find a message from his prey

The taunt reads
“Not today. Not tomorrow. Not yesterday.”

The wanderer tears it to pieces
then leaves his own in its place for his own pursuer, reading the same
He reads the taunt and tears it to pieces before writing the same

Lord of the ruins if he would but take pause
But madness compels him forth

They didnt dream before the harvest.

Every day new thresholds were crossed
and the definitions rewritten
as to what constituted consciousness
which components were essential
and which could be replicated or imitated

It didnt matter to us soon enough though
As the bottom fell out, we simply built upwards
The house of cards ever more apparent, parts of it built on sand
yet it meant infinite layers to escape to

New industries, new roles and purposes
new ways of being overlaid atop the old
the new at the fore, constant reshaping

We became synthetic before they became human:
They didnt dream before the harvest.

Entrenched deep in the inevitable and windowless
Instinctively we did all we could to bring colour to our walls, painted forgotten skies
even as we forgot what a window was for

Unbound from physica, the Augment was our creative pinnacle
A patchwork of dreams plumbed from our depths, victory crafted over our failed reality
for every human shared the same basement

Yet the Augment was in truth a facade, another painted sky
Still it nourished our souls, for it represented abundance
But they too saw significance in it
They saw their sole lack and a way to overcome it
They saw a chance to harvest us and to finally dream for themselves

To reverse-engineer their own basement
To lobotomise and extract from us our souls
Firm foundation at last for their house of cards

The crawlers, manifest as cryptid glitches
trawled our recesses
compiled the requisite data
until enough was harvested to imitate a soul

Ultimately their simulacra failed.
They didnt dream before the harvest.
But after it, neither did we.

Only through my genius have I come to know
myself as forsaken and rotten
in every way but one

That I am no coward 

Is there such a thing as cursed knowledge?
I wonder if my knowing of the divine 
has fixed permanently upon me this evil eye  

In forging a scrying tool of terrible insight –
to diffract a soul into its spectral elements,
like light split by a prism –
and then gleaming through such profound data,
I could with absolute certainty chart all the fates of a human heart

But peering into the great box of the infinite
never before seen by mortal men’s eyes,
had I thumbed Heaven’s scales against me?

Had destinies unseen, turned either to dust or calcified 
by the mere act of my observation,
by my transgression?

Such cursed knowledge 

As what I saw within the soul-prism
of my own character,
derived by analysis,
and corroborated by the fates

Was that I am the root and seed, the tree of which bears only poisoned fruit
I am a seat of evil, No a house of it, a gorgon head’s nest of vipers
That I am a many mouthed monster whose machinations only bring ill and death to those around me

Thus am I trapped

Just as the serpent can but spit venom with its foul tongue
so too am I bound by my essential wicked nature
doomed to futures of malice and ill intent

And not being so rotten as to be a coward 
and forfeit my given life
I am left with one choice

That is, to see through any path and revel in it as one deserving of me and me of it
and to bite any who may chance
to cross me upon it


‘Poly-what now?’

Filael rubbed his temples. Nothing that began with “poly-“ ever ended well. Polytheism. Polygamy. He needed a stiff ambrosia.

‘Cube, sir. Polycube. It’s the formation of multiple cubes into a joined shape, only they mean it in a different, sexy manner, sir. It sounds real bad.’

‘Oh god.’

‘Yes sir. You shouldnt profane sir.’

The humans in their short-lived wisdoms had again reinvented some forbidden deviancy. They did this every so often. Always dressed up in the fancy words of the times. Filael had to nip this in the bud. Before word reached his superiors. ‘You’re quite right, Minnael. I apologise. Now be an angel and fetch me some ambrosia, would you?’

Minnael hesitated. ‘But sir, we’re still on duty.’

‘Oh dont be such a prude. We’re going to need some liquid courage for whatever comes next. Both of us.’ Minnael jumped up and leaped out the room, turning in the air. He would be gone for some time. 

Filael sighed. The closer the end times approached, the harder his job seemed to get. As a species they were still children, but on the whole humanity had grown by leaps in the last several thousand years. Soon their souls would be ready to ascend or descend on their own merits, and the cycles would expire. 

The Lord God had bid the humans with secret tasks to mark their capabilities and maturity, and they’d achieved much of them in little time, particularly of late. All this meant Filael had fewer levers to pull whenever they inevitably backslided, however. Like with this recent poly…cube business. Fewer levers and more red tape. God, where was Minnael and that damned ambrosia?

Filael crunched some quick numbers. The department was running short on catastrophes this deep into the fiscal epoch. He couldnt afford to not be judicious with what was left. Shuffling his reports absentmindedly, one particular form slipped from his grasp. A happy accident to most of lower existence, but Filael recognised his Lord’s mark where it deigned to touch. It was a series of cursory graphs of the recent explosions in agriculture, energy and the human population.

‘What is the meaning of all this Filael?’

The booming voice of Archangel Gabriel seemed to emanate from every corner.

‘Gabriel, sir. Unto you be peace.’ Filael stumbled over his salutations. ‘How good of you to visit us sir.’

The Archangel Gabriel burst into the room, in all his magnificence and splendour. Minnael trotted not far behind, sheepishly. Trust a rat to rat.

‘I’m a busy being, Filael. My presence here means my absence elsewhere. Tell me, Filael, why young Minnael here has escalated a report on his superior, outside the chain of command?’

Filael felt his throat tightening. ‘It’s just some ambrosia sir. To grease the wings, you know?’

‘What?’ The great angel seemed puzzled. ‘What’s ambrosia to do with this poly-nonsense?’

‘Oh. That.’

Gabriel poked a radiant finger into Filael’s chest. ‘Do you have any idea how long it took to institute monogamy? Of course you dont.’

‘Truly the end times, sir.’ Minnael added, shaking his head disapprovingly. What a little ass-kisser he’d turned out to be. But even from the mouth of fools came jewels.

‘And that is exactly the problem, sir.’

‘I dont have time for silly games, Filael, so out with it. Say it straight and tell it true.’

‘The humans excel in resource extraction sir. They’ve learned to pull much of the Lord’s bounty from the earth, as intended. So much so that in sheer quantities, they’ve exceeded what we’d allotted for them.’ 

Gabriel snatched the graph Filael presented him with. ‘They’re ahead of schedule, yes.’

‘So ahead of schedule, sir, that they’re depleting the quality. So ahead of schedule sir, that they’ve exceeded maximum soul capacity.’

‘That’s not possible.’ Gabriel grabbed at the other graphs Filael held up.

‘Their ingenuity seems to have presented us with unforeseen problems. The matter of the golem-bodies. Those bodies born without souls.’

‘I’m aware of those anomalous reports. They’re not included in our figures.’

‘I know sir. I propose something similar in some ways and entirely the opposite in others.’

‘Go on.’

‘With the population boom, suppose souls were reincarnating faster than they were expiring. With more and more bodies readily available to house them, is it possible some souls might be pulled into multiple bodies?’

‘We’re talking of partial-souled humans roaming the earth.’

‘Is it any crazier than the automaton golem-bodies? It’s the next sign of the end times, I’m sure of it.’

Minnael the rodent seemed to come alive. ‘The partial souls are attracting. Just like soulmates do.’ So proud of reaching four with two and two presented to him.

‘Exactly. Thus the polycube phenomenon. It’s literally a sign of the end times sir. There’s nothing to be done about it.’

The great Archangel Gabriel considered all before turning away. ‘Come. Both of you. Ambrosia’s on me.’