Archives for category: Uncategorized


The end product will be something to behold. 

No doubt it will be used on me the moment its existence becomes public. I tinker away in secrecy, amused that there’s no real way for me to profit from my invention. But that was never the intention was it? It’s a compulsion after all: We are who we are and cannot help our passions nor what we’re drawn to. I remember making an L out of lego bricks in reception, then being told on and having my makeshift gun confiscated.

I havent given the prototype a distinct name as it rightly deserves, but it’s a gun. Of course it’s a gun. When has anything else ever changed the world?

Though the technology has broader implications, none interest me aside from this singular implementation. The concept is simple and once I finalise it, the ensuing deaths will be elegant.

Picture for a moment the usual trajectory of a bullet fired by a gun. It explodes from the nose, rippling through space and tearing through all materials in its path. The entire time it loses speed, arcing down under the weight of gravity until at last it lodges itself into its final location. Glorious, but inelegant all the same. 

And what of all the collateral damage between the gun and target? What of poor aim? Of distance, rendering targets missed or unreachable?

Now imagine a gun which fired bullets directly to a point in space, instead of tracing an arc through it. The target, and only the target, would be killed by the marksman, irrespective of what lay between them and how far. Beautiful. Simple. Drone strikes and snipers have never looked so unsexy.

My gun consist of two parts: a glove and an augmented visor. A perfect synthesis of action and observation. Of thought and execution. The glove functions as control and trigger; the visor displays coordinates in spacetime. You simply navigate through space-points, directing the bullet to when and where it should lodge. Theoretically you could kill a man on another continent yesterday with none the wiser.

That’s what should be possible. My prototypes have killed men living in the past already, dont get me wrong. But as yet the execution remains messy.

The maps do not thread to the endpoint neatly. The bullets in effect still arc a line, only now through a greater range of space and time. They appear and disappear seemingly at random through existence, until they land when and where they ought to. The target still dies of course, but the problem lies in all the collateral deaths along the way. 

As it stands my gun is as much a machine gun as it is a sniper rifle. Doubly inelegant, no less discriminate than a nail bomb. So I tinker away in secrecy. The greatest evidence of my success and genius will be my dying before it can occur.

I knew he was the devil the moment he walked through my door. The way he sauntered in, even the way he sat down. No mere human could exude such condescension doing so little.

‘You know why I’m here.’

I did. As deep as I’d buried it, it all unfolded to the fore now at once. Here and there over the years, an anxious lingering might’ve persisted in the rare dream. A scream yes, but no more. Never had a nightmare bubbled forth like this frozen moment.

The devil, one ankle resting atop the other leg’s knee, tugged up at his trouser. His socks of course were red. He looked around the consultation room with pretend amazement, that smile of his never approaching those falsely big eyes. ‘You’ve done well for yourself, doctor.’

‘Please. I’m a good man. I help the sick.’ How to plead with the devil? There was no use, I know. This foul creature that wore a person’s shape like a coat knew me better than any real human on God’s earth. Knew all my idle thoughts, what my hands did in darkness. But I was a good man, truly.

‘A lifetime of good could never wash out a stain so black as yours.’ So it was that then. Of course it was. The gall of me to think I could ever truly forget.

I believed – in all the proper things, God, heaven, hell – and I lived my life accordingly. But truth be told, I believed in them more as stories and metaphor. The literal devil sat in my room dispelled any notions of their fantasy now. Yes, now I certainly believed every word concretely, knew it to be as true as any diagram in my medical books. ‘I was just a child. No older than six. I couldn’t know what I meant.’

‘And yet you meant it all the same. With the best intentions, you cant put Humpty together again. That baby is dead because of you.’

Could words uttered in the human heart actually kill? Could laser eyes burn death into whatever they held? Yes: At long last I knew the truths I’d wrestled against and denied for so long. Yes.

God was real and the devil was real. My scientific rigour could not refute them, nor the old superstitions back home. Nazr, the Evil Eye was real and I had cursed a baby to death to exact vengeance for my dead bird. Decades of buried guilt, of remorse could never even the scales. His mother’s wailing scream in the dirt, that white noise of my dreams; there was no making amends for that.

Uselessly I wondered who might’ve cast nazr on me back then, a rich western child, to so ensnare me in the devil’s gaze.

It wouldnt save me now but I couldnt help but recite a piece of scripture to the devil. Verse 5:32 from al-Maa-idah, most closest my heart: ‘Whoever kills a soul except for manslaughter or corruption, it’s as if he killed all of mankind; and whoever saves a soul, it’s as if he had saved the entirety of mankind.’

Then I wept for my forfeit soul.

Eye Matters No 78, a painting by Eleni Pratsi

An oil painting by Gustav Klimt called Vatten Orm II, or Water Snakes II.

The air hangs heavy with her love. Her hair is everywhere and everything. I breathe it in. I savour it. Devour it, consume it as I do every part of her whole. I tug at her scalp and she shifts again.

My arm snakes hers, the hand now caressing the soft of her nape and neck and throat. A light squeeze and then a harder one so she knows she’s mine, and then a tracing finger reaches up, up to the corner of her mouth. She turns her head, capturing my finger between her teeth and sucks gently. Her actions and purring remind me I am just as much hers, if not more. We writhe as one, every moment forever and every moment fleeting.

Even as her face and body continue to morph, I exalt in her constant being. The taste of her multitudes, all the fragrance of her deepest secrets. She delights in being seen at last, in truly being known. In being discovered and explored by one who would dare venture the contours of her soul as much as those of her skin.

I’m ravenous. I want more than there is. Her smell smothers me of sense, as much as it suffocates me of oxygen. I will take and take and take. She is the universe in one woman. She is every woman. Still, it’s not enough to satiate me. Something is not right. Something is empty.

In a transient moment of clarity I recognise the fever dream for what it is and this clearly disturbs her, though I cannot say whether she’s ignorant to the game at play. My apprehension infects the space, distorting it as much as my senses. She forks into two universes of woman, and both beckon me to forget or to remember: Which I cannot say. She forks again and again.

A thousand soothing fingers run through my hair, massage my scalp and thigh. Her multiplied faces, as alike as they are different, litter the horizon and my eyesight and periphery. One face rests in my lap. Buried under the weight of her constance and drowning, I focus my energies upon it alone and on breathing.

I do not regain control of my self, only of my breath. I choke her. I will take and take and take. A universe of universes will not satiate me. Her infinities lessen exponentially. A thousand becomes one becomes nothing. Her hair is everywhere and everything.

An 1887 oil painting of a solar eclipse by Wilhelm Kranz

If I am the sun, then you are surely the moon
my mirror’d mate who occasions upon my domain,
who has her own divine procession and realm
where I cannot follow

Oh that face, that face that I would taste
Is it vanity that I should see my light upon your face?

Visit with me a while once-more
and let others witness from afar our dance, that great pretence they call an eclipse
Oh that illusion of our union
Would that I could touch those hips, 
that I could reach out and touch those eyes and those lips

The painting "Apple Trees in Blossom 1", by Isaac Levitan (1896)

Early summer
where the soil is still soft 
and the grass green
mostly

Bare foot 
under apple tree’s shade
and cloud-gazing through blossom
as ants and spiders tingle over
and under

Pigeons coo and crows caw
finches flit between branches
and higher still the swallows glide

Here blessed winds find me at peace
with my simple domain
free of wants and industry 

I conceive an almighty being 
the grand creator of this simple garden
its source and its origin, perfect 
like it

But here my imagination is exhausted:
I cannot envision a resplendent throne
graceful enough to seat such magnificence

Except that it must be like
sitting under an apple tree’s shade
encircled by singing angels in flight
as the whole of creation tingles
underfoot

Compelled as I am to honour my friend, I can find no way to begin that doesn’t sound like a eulogy. The gut punch is the same, maybe worse.

He was a great man in the classical sense of the word and a good man in the normal understanding, legal scruples aside. Is a great man I should say. But it’s hard to speak of someone in the present tense when you last saw them four years past. When they’ve been relegated to a voice on the phone. A ghost.

‘You’ll get married first’, he said to me at a ripe thirteen. ‘A**** second. Me last, unless I get a girl pregnant.’ Wrong about me (I knew even then he would be – he was always the true romantic of our trio and me the quietly distrusting one). But right otherwise. Are all children so self-aware so young? So self-fulfilling?

Sometimes I’d make him stumble, but his way around an argument was second to none back then. He’d recover quick enough. Impressive verbal gymnastics and the impish desire to take things too far were always a high-risk, high-reward combination. He took Law and went on to study English so of course he considered being a solicitor and a politician. And of course he might’ve been either and easily too, such was his potential – I believed that then and still believe that now. But great man as he is, he was fated to be the master of his own lot and destiny. ‘I’m either going to be filthy rich or broke, dead or in prison.’ I always believed that one too. Did we have to be so right?

And who answers unknown phone numbers any more? I have one saved as “HMP London?” for what little good it does. They seem to rotate between lines so who knows how often I miss his calls. Still it popped up last weekend so I eagerly answered, months since we last spoke. Back to court on Monday. More pertinent evidence was coming down the pipeline in May so he’d moved to adjourn. ‘Pray for me.’ It went without saying.

We ducked down in the car once, hiding together from scar-faced African scammers that we’d scammed back – after splitting fried chicken with them in Ramadan, ha. We burnt that car, unrelated incident. Remember the smell, the heat? I just googled the statute of limitations, I think we’re good. Remember sniffing a lick, following that car down from Natwest but it turned out to be old friends? Sleeping on the living room couch with our stray-found pitbull and that safe, fluctuating between intermittent shopping sprees and barely making rent. For a time with a machete on the table, and that strap under the pillow. At least we were free though. Wild to think back on now. I wonder if that whole period was inevitable.

How many times had two of us wanted out but the third didn’t? Maybe that was the stupidest agreement we’d made – that all three had to agree for us to be out. It was supposed to be for the summer, then to ten grand, then a year and then until A**** didn’t have to work. And then until we built something legit. And then and then and then… The goalposts always matured, but always shifted by the same token.

The romantic in you really thought that you could jump on every grenade for the people around you and that this grand gesture would somehow be enough… for something. But we both knew I always had one foot out the door. The writing was on the wall when business and family started to mix – my one red line. I suppose that was inevitable too. Our preventive measures were so childish in retrospect and you can’t serve two masters after all. In my arrogance, I really thought I could stop disaster if I was there to oversee things. If it wasn’t for family, I might’ve jumped after you into hell itself. Remember you’d tease me that I showed you your first cheeky scam? That I’d seeded the first order? I’m sorry if I actually precipitated what transpired. Moreover I’m sorry I left. I had to.

He rang again three days ago. ‘My ass is bleeding.’ Colourful. Thirty years is punitive, however they try to spin it. I’m still reeling. Murderers and rapists have seen less. Whether or not unlawful crimes are committed is irrelevant, is subservient, to the greater good of the Rule of Law. For all his verbal gymnastics, street savvy and game, I think he truly believed in that greater ideal, the romantic fool. A criminal who thought the cops would play a fair game, that the game itself wasn’t rigged.

They were always going to make an example out of him, but he hoped he had a fair shot. That he would get his grand gesture. His moment to display the great man he’s always been. So he stood tall and got crushed for it.

Three days ago I heard the light fade from his voice. I fear this is how demons are forged. But the story isn’t over I tell myself. May approaches fast. He has all the time and ability in the world to bide and appeal. I still believe in him. And his grand gesture means something to the few who may care.

The painting "The Wild Hunt of Odin" by Peter Nicolai Arbo (1831-1892)

Is it fair to credit so much of the terrible acts 
of great men to them alone?

Is the man at the fore a wolf so separate from the sheep
when the shared blood of a nation boils together?
Is he not merely the tallest drop in a fervent wave?
A conductor at best, more a lightning rod, 
a mouthpiece possessed by some roused all-father spirit 
that slumbers in the country’s hearts

We deserve the leaders we permit and institute
pretending to sacrifice ourselves at their altar
– purely performative – 
instead sacrificing them like sheep
once we quench our bloodthirsts
(our selves now absolved)

Until that dark spirit fills us again and another is chosen

An old topographical map of the Mexican Central Railway, taken from Wikipedia

Grooves embedded deep upon the contoured land
potent water ways of vital twists and turns
Each near-insignificant in form, evolving
but sprung forth necessary, flowing from function

Old channels run deepest
and though dry now, they bide their time
awaiting frenzied blood to pump, pump
To course, raging back into the zeitgeist

Clang clanging metalworks upon the flat land
straight lengths of steel, angles unnatural
Each piece an exacting cost of toil and ore, connecting by necessity 

Young minds young eyes, reckless ingenuity
bend matter to will as on an anvil
a frenzied thirst for fortune, they drink and drink
On command, the milk courses out from the teat

This follow-up interview still gets me

Soul Walk 02, a painting by Tzi Artistic

The stone, smooth. To look at. To touch. As though washed over by a thousand torrents, which it had been. Polished as though it had passed a thousand sculpting hands. In actuality though just one sculptor had lain hands upon the stone. A pearl, the likes of which had heretofore been rarely seen but oft spoken of. Even now the sculptor toiled away beside it, though the thing was discarded to his mind.

Well. He had been a sculptor once. In a sense he still was but what he shaped in this younger age had changed. As had how he shaped his new object and the tools he employed in its crafting.

He bristled as an accidental glance aside brought the smooth pearl to fresh attention. That response by now as automatic as it was cultivated. The stony pearl, that had been the object of eons of his attention, irritated him now. Once though it had been both his literal soul and the perfected fruits of its labour.

But in the age that followed his heart and mind became clear upon the fact that the shape of his soul was incongruous to the whole. An inert piece perfected far beyond its complementary parts. But there was no fashioning a like heart or mind, for such things were by-products only. No the only hope was to develop them in the process of crafting as he knew.

So he fostered imperfect impulses within himself now, so as to craft a lesser soul-form and in the doing craft a sharper heart and mind of a more approximate measure. And these impulses by design, namely: a reasonable impatience at the glacial ages that his craft took; a resentment and anger at the punitive nature of the way of things to his early attainment of a perfect form; a pre-emptive exiles, self-imposed and borne of feeling deserted by his kind; and an entitlement that such a master sculptor as he should ever be denied any fruits, even those not yet laboured towards.

He looked back now to his new incomplete soul-form: as yet a jagged dull knife, not reflective of the epochs spent upon it. They would not have his soul. Not the old or new. And he would have his bettered heart and mind one way or another.

In the throes of all his nurtured impure impulses, the once-sculptor angrily took into his hand the perfect smooth pearl. And as though it were a whetstone, he sharpened his new soul-form upon the old.